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A Wrinkle in Time (2018)  

Family Series + Pay What You Can 

After her astrophysicist father goes missing, grieving 13-year-old Meg meets three astonishing supernatural beings who transport her through the universe to rescue her dad in this sumptuous, enchanting fantasy-film adaption of a beloved children’s book. 

Rated PG 

Running Time 109 minutes 

Ed Wood (1994)

Wacky Wednesday 

Homage to 1950s schlock director Edward D. Wood Jr., focusing on his friendship with Bela Lugosi. Wood was a surreal character: self-deluded, eternally optimistic—and a heterosexual who enjoyed wearing women’s clothing. He’s become a cult icon thanks to the unintended humor of his schlock classics “Glen or Glenda?” (1952) and “Plan 9 from Outer Space” (1959). 

Rated R 

Running Time 127 minutes

Diana Kennedy: Nothing Fancy (2020)

Appalachian RC&D Event

Featuring extensive interviews with Diana Kennedy and famedchefs José Andrés, Rick Bayless, Gabriela Camara and Alice Waters, DianaKennedy: Nothing Fancy provides an intimate look at the leading expert onMexican cuisine. The author of nine acclaimed cookbooks and a two-time JamesBeard Award winner, Diana is called the “Julia Child of Mexico”, but the feistycook prefers “The Mick Jagger of Mexican Cuisine”.

Not Rated

Running Time 75 minutes

The Jackson Theatre is excited to announce an exclusive screening of Gregg Allman: The Music of My Soul, the highly acclaimed full-length feature documentary exploring the life and work of the late, great Gregg Allman. $2 from tickets sold for all screenings of Gregg Allman: The Music of My Soul will benefit the Gregg Allman Scholarship Funds. This screening is one of over 40 one-night-only screenings in diverse venues across the United States and the presentations will take place in venues ranging in size from the 70 capacity Capricorn Sound Studios in Macon, GA, to the 4,665-capacity Fox Theater in Atlanta, GA. Due to the nature of the film, Michael Lehman, Lead producer and longtime friend and client, felt Allman Brothers Band fans and lovers of music will want to see this film on the big screen with a professional PA system in venues that, in many cases, had presented live performances from Allman, Dickey Betts, Jaimoe, or the Allman Brothers Band themselves.

"It is incredibly rewarding to bring Gregg Allman: The Music of My Soul to audiences around the country,” says Michael Lehman, Lead Film Producer and longtime manager of Gregg Allman. I hope the attendees leave with an even deeper appreciation for Gregg’s extraordinary music, his remarkable life, and the legacy he continues to inspire.

"I truly believe Gregg Allman: The Music of My Soul should be experienced more like a live concert than a traditional film. The music of Gregg and the Allman Brothers Band is the heartbeat of this experience, and presenting it in a live venue transforms it into a shared event. It gives audiences the chance to gather with friends, enjoy a beverage, browse exclusive merchandise, and celebrate Gregg’s incredible legacy together as a community. That’s what makes these screenings so special — they’re not just watching a film, they’re participating in an unforgettable musical event.”

 

Gregg Allman: The Music of My Soul had its domestic theatrical premiere earlier this year in 200 major market cinemas across America, presented by Subtext in association with Rolling Stone Films. Directed by GRAMMY® and Golden Globe Award-winning filmmaker James Keach, the full-length feature documentary offers a profound portrait of Gregg Allman, one of the most distinctive voices in American music and, as co-founder and frontman of the Allman Brothers Band, a groundbreaking architect of Southern rock. This visionary music documentary traces Allman’s turbulent, transcendent journey through profound personal tragedy and hard-won redemption – from a childhood ruptured by his father’s murder to the soulful emergence that gave birth to Southern rock and permanently reshaped American music. Told through archival recordings, candid interviews, and electric live performances, the film weaves an intimate portrait of Allman, honestly reflecting on the death of his brother and bandmate Duane, his battles with addiction, and the personal demons that shaped both his life and his blues-driven music. The documentary is anchored by rarely seen concert footage that captures the Allman Brothers Band at their creative peak, offering audiences an immersive, front-row view of one of rock ‘n’ roll’s most powerful live outfits.

 Beyond the music, Gregg Allman: The Music of My Soul explores what Gregg Allman and the Allman Brothers Band came to represent in American culture – an ethos rooted in artistic freedom, collaboration, and defiance of convention. It highlights how Gregg and the band rejected the racial divisions that defined much of the American South, grounding their sound in deep respect for Black musical traditions and collaboration with Black musicians at a time when integrated rock groups were rare. The documentary also examines Allman’s complicated relationship with fame, including his highly publicized marriage to Cher, and how life in the public eye collided with his restless pursuit of authenticity. Together, Gregg Allman: The Music of My Soul affirms Gregg Allman not just as one of rock ‘n’ roll’s greatest and most influential artists, but as a lasting cultural force whose influence extended far beyond the stage.

 Keach, whose previous credits include 2005’s Academy Award-winning Walk The Line and such acclaimed documentaries as 2014’s Glen Campbell: I’ll Be Me, 2019’s David Crosby: Remember My Name, and the GRAMMY® Award-winning Linda Ronstadt: The Sound of My Voice, directed and produced Gregg Allman: The Music of My Soul alongside producer and longtime Gregg Allman manager Michael Lehman and Alex Komisaruk of PCH Films, as well as Emmy-, Golden Globe-, and GRAMMY® Award-winning executive producers Justin Falvey and Darryl Frank (Music by John Williams, Faye, Laurel Canyon) of Amblin Documentaries, Douglas Banker of Five All in the Fifth, Michael Hughes and Greg C. Lake of DLP Media Group, Robert Stein, Alex Dale of Rolling Stone Films, and Brian Levy and Theodore Liouliakis of Subtext.

 “Gregg’s story totally resonated with me,” says James Keach, “especially his relationship with his brother, Duane. I have a very close relationship with my brother, Stacy. We worked together for years on a lot of great projects – The Long Riders was formative for us as well as for the Carradine and Quaid brothers – and the thought of losing my brother at such a young age really got me.

 “Not everyone works this way, but I believe that understanding trauma from the formative years of a person’s life is central when telling their story in a documentary. A lot of incredible artists have these shattering experiences in their past that inform every aspect of their lives and talent. Gregg had those demons inside his amazingly creative brain. He dove deep into his addiction when Duane died, but later in life, when he was sober, he faced his own mortality with dignity and acceptance. It’s personally important to me to carry Gregg’s message of trying to change the trajectory of people consumed by addiction. You can hear the ache in his voice in his brilliant music.”

 “I was Gregg’s friend,” says Michael Lehman. “This movie is personal to me because I want the world to know the Gregg behind the music.

 “Gregg was impacted by, among other things, his profoundly close relationship and the tragic loss of his brother Duane. His music reflects the joy and the pain of his life experiences. I chose James Keach to direct this film because James is both an incredibly talented director and has a close relationship with his own brother, Stacy. I knew from the start that he would bring to life Gregg’s story, including the relationship with Duane and with his band, The Allman Brothers Band, and that James would be able to create both an enjoyable and deeply memorable film.”

 “Gregg Allman’s music is woven into the fabric of American culture, and this film captures both the artistry and the humanity behind the legend,” said Brian Levy of Subtext. “We’re proud to bring the film to American audiences, offering devoted fans rare insight and archival material while introducing Gregg’s legacy to a new generation.” 

DREAD POPS - A Horror Anthology Screening

Join us at the Jackson Theatre for a special screening of the first four episodes of Dread Pops, an original horror anthology series created by local filmmakers Jeffrey Payne and Dustin Miller

Each episode tells a different story, set in a different time, but something connects them all.

Come experience Dread Pops the way it was meant to be experienced: on the big screen, in the dark, and LOUD.

September 12, 2026
Doors: 6 PM | Screening: 7 PM

Free event